Category: Harold Gould

SEEMS LIKE OLD TIMES

By Marc S. Sanders

Neil Simon has always been a huge influence on me.  I grew up watching Randall & Klugman spar as his Odd Couple.  I recognized the northeastern Jewish vernacular of his B-trilogy semi-autobiographies that run through Brighton, Biloxi and Broadway, and I’ve performed and directed a number of his winning stage plays (Rumors, Lost In Yonkers, Chapter Two).  The comedic mind and personal pains of live theater could not continue without hearkening back to the great Neil Simon.

One of his lesser celebrated works told only in the form of a screenplay (a rare achievement of Simon’s) is Seems Like Old Times.  Released in 1980, it’s the writer’s sendup of classic screwball comedies like Bringing Up Baby and equipped with fast talking dialogue from one character to the next like you would find in His Girl Friday or It Happened One Night.  I’m not much of a Chevy Chase fan, but when he’s in the right properties, he’s a master at tossing one quip away after another while earning the chuckle. Neil Simon tweaked his script to cater to Chase’s timing along with his co-star, Goldie Hawn.

Seems Like Old Times is remembered as the second team up for Chevy Chase with Goldie Hawn, who was everyone’s favorite adored actress of the time.  Audiences followed her from giddy flower child in Laugh-In and an Oscar in Cactus Flower with Walter Matthau, over to Foul Play with Chase and then on to her fish out of the army swamp in Private Benjamin.  She was an absolute hit, and while these pictures appear dated by today’s standards, they still hold up. Seems Like Old Times even feels like it could garner a Jennifer Aniston remake today.

Chevy Chase is Nick Gardenia, a writer working on a book in a mountain rental home overlooking the Pacific near Carmel, California.  When he’s taken hostage at gunpoint, he’s forced to rob a bank.  This may or may not affect Ira Parks’ (Charles Grodin) campaign for State’s Attorney.  Ira is married to Public Defender Glenda (Goldie Hawn) who used to be married to Nick.  When Nick shows up in the middle of the night in the Parks’ garage, it’s up to Glenda to hide Nick from Ira and figure out a way to get him exonerated.  It’s not easy when the couple will be hosting the Governor and his wife for dinner, along with a litter of six lovable dogs who happily express themselves and intrude at the most inconvenient times.  They range in size from St. Bernard to tiny terrier with the jingling bells on the collar.

Seems Like Old Times is a perfect marriage of Neil Simon’s unending wit with easy to swallow, but complicated scenarios that beautifully complement Goldie Hawn and Chevy Chase comedic specialties. Charles Grodin was actually nominated for a Razzie for his performance.  An absolute insult to a well suited antagonist for clean, escapist lunacy.  It’s Grodin being Grodin, but it works so well.

Jokes thankfully run on repeat with cars getting stolen over and over while Glenda upholds her career of winning in the courtroom by employing her small time crooks to help them stay out of trouble.  T.K. Carter is great as Chester, her limo – rather station wagon driver, who just can’t put down an inviting bottle of wine.

Robert Guillaume delivers his Benson sitcom timing and partners well with Grodin. Harold Gould is the exasperated judge who knows Glenda all too well.

I recommend you dig up Aurora’s (the Parks’ illegal immigrant maid) recipe for chicken pepperoni and saddle up for an old-time romantic comedy at home. Seems Like Old Times is a fun romp for the whole family to watch, but especially with the one you love, or maybe the one you used to love.

THE STING

By Marc S. Sanders

Find me a better combination of script, cast, direction, score, art direction and costume and I guarantee it’ll take you some time and effort.

The Sting, directed by George Roy Hill and written by David Ward, is the kind of movie where you uncover something new every time you watch it. It’s because the film is all in the minute details to assemble the beginning to the middle to the end. The film is wisely edited in step by step chapters; The Set Up, The Wire, The Shut Out and eventually on to the satisfying The Sting.

The audience is even set up but you’ll have to watch to see how. I dare not spoil it.

Cars, trains, drug stores, diners, a carousel, dames, gangsters, Bunko Cops, Grifters; all are elements needed for the best confidence men superbly played by Robert Redford and Paul Newman, along with a supporting cast like no other, Eileen Brennan, Harold Gould, Charles Durning, Ray Walston, Jack Kehoe and the best villain, or rather “mark,” Robert Shaw.

This is one of my favorite movies. When I first saw it, I was probably age 10 or 12. I understand next to nothing of what was going on. It was the music that drew me in first followed by the sharp suits designed by the legendary Edith Head. The movie’s script is its greatest asset but visually it is just as fun. The 1930s Chicago setting is a character in and of itself. Newman cheats beautifully at poker against a temperamental Shaw, and gets him!!! “You owe me 15 grand pal.” When I first saw it, I didn’t know what he was doing or how he did it. How did he switch hands? I was enamored with the hands that were dealt and the poker chips on the table, but I loved it when the better cheat won out.

The second iteration of the Hill/Newman/Redford trifecta (following “Butch…& Sundance…”) is just plain fun. It was the fun that earned it a Best Picture Oscar.

No other film has come close to duplicating it. Maybe the Clooney/Pitt/Damon version of “Ocean’s 11”? I don’t know. However, if you love that film, you owe it to yourself to watch “The Sting.”

The Sting is…”the quill!”