EXECUTIVE DECISION

By Marc S. Sanders

A commercial passenger plane carrying a bomb with enough explosives to wipe out the entire eastern seaboard of the United States has been hijacked.  Fortunately, Steven Seagal has come up with an idea to get his squad of commandos on board and contain the threat.  It’s also a blessing that in the first twenty minutes of Executive Decision, Seagal dies during the midair transfer.  There!  I spoiled it for you.  I’m not big on spoilers, but this is worth it because I believe it’ll entice you even more to watch this scrappy, under the radar action picture directed by Stuart Baird.

Before all of the action gets started, Kurt Russell makes his introduction attempting to land a small plane during a flying lesson.  I wonder if that’ll play into the story later.  Hmmm!!!! Russell plays David Grant, a consulting analyst for the US Army. Dressed in his tuxedo, he’s swept up from a dinner party and informed of the terrorist hijacking at play.  Grant is familiar with the lead terrorist and his ideals.  For whatever reason he’s instructed to board a specialized jet with Seagal’s crew.  This jet carries a tube that will attach to the hull of the captive plane in midflight. The soldiers will climb aboard and go to work.  Complications ensue though, and after that harrowing scene is over, four members of the elite squad (one becomes paralyzed) have made it on board along with Grant and the design engineer (Oliver Platt) of the jet.  Now the fun begins. 

Baird invests a lot of moments with the commandos (led by John Leguizamo) sneaking around, and drilling small holes in the ceiling and floorboards of the plane to insert tiny cameras and get a look at the activity going on.  Every so often the terrorists threaten or give scary looks and we hope they don’t look down that hallway or in the elevator shaft.  The bomb also has to be deactivated but it’s never as easy as knowing to cut the blue or red wire, and there’s a “sleeper” passenger who can detonate the bomb by remote.  Where on the plane is that guy, though?  As well, the government debates with shooting down the plane of 400 passengers before it reaches America.  So, there’s a lot going on here.  Kurt Russell is especially good as a “work the problem” kind of leader who manages to earn the assistance of a flight attendant (Halle Berry).  We may know how this standard story will end up.  However, that doesn’t mean the journey can’t keep us on pins and needles. 

Executive Decision is never boring.  It’s engaging from beginning to end, even if we’ve seen this very basic formula countless times before.  Credit has to go to Stuart Baird and his lengthy experience as a film editor (the Superman and Lethal Weapon films), as well as the cast.  Kurt Russell is always reliable with upholding the tension of a situation.  Like Harrison Ford, he’s really good at playing the everyman caught up in a jarring, nerve-wracking situation.  Look at his film Breakdown for further evidence. 

Beyond Seagal’s early demise, the most amusing part of Executive Decision is watching Marla Maples Trump as another flight attendant emoting the worst panicked expressions for Halle Berry to act off.  Marla never delivers a single word of dialogue.  Even in 1996, long before the Trump name became regarded for many other reasons I need not discuss here, this likely unintended joke generated so much amusement for me, personally.  It must be seen to be believed.

That being said. Don’t watch Executive Decision just for Marla Maples Trump and Steven Seagal.  Watch it for the taut, suspenseful story it is, with a fantastic lead role performance from Kurt Russell, a solid supporting cast and a gripping assembly of tension from Stuart Baird.

SPEED

By Marc S. Sanders

Jan de Bont’s Speed is one of the best action thrillers ever made. It moves at a breakneck pace with huge suspense, big laughs and never-ending excitement. It’s also really smart with its crazy storyline.

A mad bomber (Dennis Hopper) manages to terrorize the city of Los Angeles by rigging a high-rise elevator with a bomb. Thirteen hostages need to be rescued and for an opening scene of a movie it does not get better than this. The heights and cramped space of the elevator and shaft are tightly claustrophobic, leaving you biting your nails. Small explosions come unexpectedly. This is what Hitchcock is always talking about. Putting a bomb under a table is suspense. The moment you detonate the bomb, the fear is over. De Bont blows up some bombs, but he leaves you hanging for when he’s going to set off the biggest bomb of all – the one that’ll put a hole in the world.

Later, the bomber does the same to a city wide transit bus traveling the freeway routes of rush hour traffic in the city. If the bus’ speed drops below 50 MPH, it’ll explode. Imagine pulling two tricks of Hitchcock all in one film. Imagine trying to never slow down a bus. This bad guy is destroying the city without even setting the big bomb off yet. This is great writing from Graham Yost. The whole scenario is tension at a maximum level.

The cop trying to stop the bomber is Jack Traven (at the time of release, an unlikely Keanu Reeves). Reeves is a perfect hero in this film. He allows the film to stand apart from being just another Die Hard rip-off by avoiding the Bruce Willis smart aleck stance. He’s a smart guy who keeps focus on just the situation at hand. He’ll get the bad guy later.

Sandra Bullock plays an adorable character named Annie who consequently has to drive the bus. This was Bullock’s breakthrough performance and I truly think it still holds as one her best. She’s funny, but she has some good dramatic moments as the tensions build up where Hopper’s crazed bomber makes things more difficult for Jack and the passengers. Bullock is good at crying on film, but she also knows how to deliver a line too.

De Bont does a great job at poking fun at the mundane trappings of traffic and intercity daily activity. As the bus careens through the city, pedestrian crossings are at risk, tow truck cars are problematic, cop cars are bashed up, and Annie is mindful enough to turn her blinker on as she careens around the corners. That last gag kills me every time. De Bont does what I always insist works in most films. He makes the setting of his film the character as well. This bomb rigged bus is stressing out the city of Los Angeles, for sure.

Seeing Speed holds a special memory for me. I saw it on its opening Friday night with some college buddies. Two days later, I insisted on taking dad to see it. Dad could not stop laughing through the absurdity of it all as street signs crash down, cars get totaled, and the fast editing blended with Annie’s laughable panic. Most especially, he loved a hapless driver (a scene stealing cameo from Glenn Plummer) in his gorgeous Jaguar convertible known as “Tuneman” by his license plate. Jack desperately hijacks his car as a means to catch up to the bus. As Tuneman’s car gets more and more wrecked, Dad could not get over it. He was in stitches. This is why movies can be so vital in our lives. I’ll never forget Dad’s nonstop laughing. I carry it with me forever, and I heard it again last night as I caught up with Speed. He’s gone now, but these are the moments I miss most about Dad.

A third act of the film is just as thrilling. Let’s see. We’ve done an elevator and a bus. How about a subway train? It’s a briefer sequence for the climax of the film, but it keeps the thrills ongoing.

Speed works on so many levels with a brilliant cast of B actors (at the time of 1994) that also include Joe Morton, Alan Ruck and a great Jeff Daniels as Jack’s partner with bomb experience. The action sequences cannot be complimented enough, and the Oscar nominated editing from John Wright with De Bont’s direction pair perfectly in timing.

Speed is an absolute thrill ride and a rocking great time at the movies.

GODZILLA: KING OF THE MONTSTERS

By Marc S. Sanders

Godzilla: King Of The Monsters

Imagine our reaction upon learning that the cast of this epic features the following:

Academy Award Nominee: David Strathairn

Academy Award Nominee: Ken Wantanabe

Academy Award Nominee: Vera Farmiga

Academy Award Nominee: Sally Hawkins

The FBI Guy from The Wolf Of Wall Street: Kyle Chandler

Emmy Nominee: Millie Bobbie Brown

Emmy Nominee: Charles Dance

…and the guy from Speed and Terminator 2: Judgement Day and most importantly the 2nd episode of What’s Happenning!!!: Joe Morton

Here is a film where scientist Vera Farmiga justifies waking up 10 million ton monsters on earth because it will “SAVE THE EARTH FROM POLLUTION DUE TO OVER POPULATION.” (Ahem, couldn’t she have just called Thanos?”)

Here is a film where scientists reason that the only way to communicate with Gorjira (a bad ass looking three headed Hydra) is by humpback whale frequency. (Ahem…one more thing…couldn’t Spock simply travel back to the mid 1980s and pick up George & Gracie?)

Here is a film where Boston is brought down to rubble save one street conveniently available for a Hummer to race down so that Kyle Chandler and Vera Farmiga can race back to their house to find daughter Millie Bobbie Brown safely taking refuge.

Despair not though my friends.

Boston survived!!!

There was one sole remaining functioning traffic light still standing following the mass destruction. That’s all I need for self assurance.

Let me tell you something though. You get your money’s worth out of this mashed potatoes of a film. One of the best comedies of the year!!!

It was a lot of fun.