HOOP DREAMS

By Marc S. Sanders

Hoop Dreams is not a simple documentary. It spans five years beginning in the late 80s through the early 90s capturing the lives of two young promising basketball prospects looking for a shot at the NBA, a million to one shot.

Arthur Agee and William Gates are two black youths from the ghetto areas of Chicago who are given an opportunity to attend St. Joseph’s High School and to participate on their prestigious basketball squad, the same team where Isaiah Thomas began his trek to the pros. The film, directed by Steve James, continuously shows how far reaching the accomplishments of Thomas really are with moments frequently focusing on the school’s hallway cabinet display dedicated to the legendary former student. Arthur and William are magnificently talented as top coaches and recruiters will attest, but are they that good? Do they have Thomas’ drive and ferociousness on the court. As well, are they capable to maintain their required minimum grades and ACT test scores for college scholarships? Can the boys overcome injury or tuition demands to stay at St Joseph’s?

Hoop Dreams explores these questions in its three-hour running time. Though it’s a documentary, the drama is undeniably intense.

For Arthur, his talents on the court can only go so far. A family life that has highs and lows make it challenging for him during his high school years. His father, Bo, has been in and out of prison and he’s a drug addict. Director Steve James is so attentive and unforgiving with using his camera that he shows fourteen-year-old Arthur playing on the neighborhood court with Bo, who eventually drifts off into the background where we actually see Bo purchasing drugs from a dealer, right in front of his son and right in front of the camera.

Arthur’s NBA dreams also become more fleeting in his sophomore year when his family can not come up with the necessary portion of his tuition to remain at St. Joseph’s. From there, I desperately wondered if he’d ever return to the school.

William’s story begins with much more promise. He’s a magnificent player and comes off very responsible beginning in his freshman year at age 14 while keeping a job, and a respectful and positive attitude with his teachers and peers. His scholarship to remain at St Joseph’s is backed by a top executive for Encyclopedia Britannica. He’s a dynamo on the court and he’s got tremendous support from legendary St Joseph’s Coach Eugene “Ping” Pingatore who started Isaiah Thomas on his road to success. However, a knee injury comes into play. William is given the best treatments available including numerous surgeries to remove cartilage and maintain repairs. The knee never seems to go back to what it once was for William but even worse, according to Ping, the injury is messing with William’s confidence on the court.

This is not only disappointing for William with various setbacks that keep him off the court, but also for his older brother, Curtis, who lost out on his own basketball dreams. Curtis lives through the potential success of William.

The Agee and Gates families have next to no money living in the projects of Chicago. They endure job layoffs, welfare and at times no means to put food on the table or cover the cost of electricity. The need to support families of multiple children while they make every effort to survive the streets laden with drugs and crime beyond these troubles. What they live for is the will of Arthur and William’s potential for athletic greatness. The families are these boys’ greatest cheerleaders.

James’ film puts the golden ticket for these young men front and center at the beginning of the film when Isaiah Thomas speaks at a session for many prospective talents with a shot to attend St. Joseph’s High School. There’s uplifting footage of young Arthur playing with Thomas, and you feel the drive to now follow the boy’s journey to maybe see the professional ball player again but maybe in an arena where Arthur is now wearing a Detroit Pistons uniform as an actual teammate. As a viewer I was truly believing this could work out and by the time I get to the end I’ll finally see that moment captured in real life footage.

Nevertheless, Hoop Dreams shows that exceptional talent is never a promise for a shot in the NBA. Surviving day to day with no money and even a challenge to maintain academics, stay healthy, and avoid drugs and crime are at least just as important factors along that path.

Hoop Dreams is a long film. It needs to be to truly depict the essence of what happens to William and Arthur from year to year in high school. It’s absolutely riveting and emotionally suspenseful. Amazingly enough is that Steve James could never know what would come of Arthur and William when he began covering their stories in freshman year. Unlike other celebrated documentaries, Hoop Dreams is not a recap of a historical moment in time with stock footage that’s been recovered for narrative use. Hoop Dreams is in the moment. It’s a continuous exploration of what direction life will spell out for these boys and their families once high school comes to an end. Steve James was intuitive in following the respective trajectories without really ever being fully aware of the conclusions for these two stories.

Siskel & Ebert declared this film the best picture of 1994, topping films like Pulp Fiction, Forrest Gump, and The Shawshank Redemption. I can’t decide yet if I agree with that ranking, but I will never deny that the film belongs in that company of greatness for sure.

Hoop Dreams is absolutely magnificent, and likely one of the best documentary films I’ll ever see.

LIFE ITSELF

By Marc S. Sanders

Gene Siskel and Roger Ebert’s television program was a show that I religiously watched growing up. They both taught me how to argue, how to agree, how to observe and how to appreciate; most especially when it came to the subject of movies which I continue to have an incredible passion for.

To watch Steve James’ documentary Life itself, which focuses on Ebert’s colorful and pioneering life, as the most popular film critic in the world, is a mind-blowing experience. James along with commentators such as Chaz Ebert (Roger’s wife), Martin Scorsese, Werner Herzog and A.O. Scott (film critic for the New York Times), paint a picture of what drove this man to continue his greatness all the way down to his last breath.

James alternates between the moments of struggle for Roger and Chaz during his final six months of life and his past which celebrated his annual visits to the Cannes Film Festival, his sparring matches with Siskel, his friendships, his moments of joy with Chaz and her family and his master talents of words on the page, and on the television screen.

As director of this incredible documentary, Steve James holds no filter in any of the material he shows. Roger is described as arrogant and competitive at times, sometimes acting like a bratty child. He is shown in his deformed state without a bottom jaw, and as a recovering alcoholic. He is also presented as a most valued opinion, a dear friend, a loving husband, a brave, young newspaper editor, a sensational film critic, and a man with exceptional resilience to the cruelty of thyroid cancer, deformity, and deterioration.

There was an incredible dynamic to Siskel and Ebert’s relationship where the surface would reveal animosity, but James’ documentary uncovered true loving brotherhood.

I continue to read Roger’s columns as a ritual following a viewing of a movie. His reviews are a conversation to me. They are personal to me. Roger always personally speaks to me. I’ve never felt as much a connection to any other writer. I continue to seek out clips of Siskel and Ebert’s programs on You Tube, to laugh, reflect, relate and uncover different points of view.

There will never be another Gene Siskel. There most especially will never be another Roger Ebert. I recall reflecting on his legacy during a trip to Chicago. I walked in front of the Chicago Sun Times and Roger seemed to say hello to me. I even met a local film critic there who knew Roger, attended his funeral, and somehow, I felt that I finally met Roger himself after so many years.

I especially recall missing him as the latest Transformers installment was released during that time. He savagely hated the prior two films in the franchise I think even more than me, and for that he wrote two of his best reviews. I only wished he was still alive so that I could return to that kind of review one more time for this picture as well. I didn’t see the movie, but I know he would have hated it and I would have loved the article all the same.

Roger is one of the most influential people I have encountered and Life itself was one of the best movies from 2014.

Catch this movie on demand if you can. You won’t regret it.

Thumbs up for me!