By Marc S. Sanders
Robert Redford directed a huge, glossy looking misfire of a political thriller in 2007 with a film called Lions For Lambs, written by Matthew Michael Carnagan.
Preachiness is never fun when it labors on for an hour and a half. I don’t care if it’s Tom Cruise or Meryl Streep or even Robert Redford doing the preaching. If these powerhouse celebrities called me up and asked if they could come to my house for coffee and talk, and when they got there, all they did was spew in circles a political platform of “right and wrong” and “why” and “don’t” and “can’t” and “yes and no,” I’d call the police and have them arrested. Time for you to leave, Meryl! Tom, it’s been real.
In 2007, during the late half of Bush 43’s second term, questions of war with the Middle East was at the forefront during a post 9/11 age. Redford, with Cruise producing, thought it’d be interesting to show three different stories (actually two long winded conversations set around desks, and two stranded soldiers) occurring. A political professor (Redford) tries to open the eyes of a student (Andrew Garfield) with great potential but no drive to make a difference. A Republican Senator (Cruise) sets up his own interview with a liberal leaning reporter (Streep) to boast of a new secret mission he’s championing, and two special forces ops are left stranded (Michael Pena & Derek Luke) in the cold of Iraq, the most interesting of three narratives.
Carnagan’s script goes in circles and it’s likely the politics he questions all lean left. Yet the conversations (Redford & Garfield; Cruise & Streep) become just a lot of back talk. A character makes a point, and the other character makes a counter point. I was hoping for a line like “Meryl, you ignorant slut!” Where are we going with all of this?
The soldiers are the mission planned by the Senator that has now gone awry and follows their outcome as they are left wounded and surrounded by Iraqi forces in the snowy darkness. We learn they were students of the professor who wanted to make a difference by enlisting in the Army. See the connection now; the very thin uninspired connection?
Here’s something for ya. In case, you can’t recognize easily enough, Redford dresses his characters in either shades of Red or Blue. Nice touch with Garfield’s frat boy wearing a RED Hawaiian shirt while Redford has the BLUE denim button down. Cruise gets the shiny RED coffee mug for a prop. Does the film have to be THIS transparent? If so, couldn’t the dialogue have been as well?
Lions For Lambs talks A LOT and tells me nothing. Streep’s reporter is a disappointment. Yet Redford portrays her as noble. She loathes the platform of the Senator she just interviewed and is adamant about not writing the quite revealing story he just laid out for her. How can she be that way? She’s a reporter!!!! Tell the truth. Inform the public, even if it’s not pretty, and yet Redford will have a viewer believe it is righteous of Streep to figuratively break her pencil and unplug her computer while she gripes to her editor in chief. No! This is an absolute betrayal of journalistic integrity. What is Robert Redford, the once producer and star of All The President’s Men, thinking here???
You wanna talk about betrayal? The final moments with Streep really had me puzzled. She takes a thought-provoking cab ride that drives past the Capital, Arlington National Cemetery, the Supreme Court, and The White House (right, dab, in front of it no less). Reader, I’ve been to Washington DC a number of times as recent as this past summer. Where the hell is this cabbie driving to, and what route was he taking????