By Marc S. Sanders
Ridley Scott’s Gladiator is a terrifically sweeping sword and sandal epic adventure. It contains well drawn characterizations of its heroes and its one tyrannical villain, along with superbly bloody hack n chop violence and action that live up to its title.
Rome has finally finished its campaign of conquer throughout at least one quarter of the world. General Maximus (Russell Crowe) is ready to return to his wife and son to live out the rest of his days as a farmer and family man. However, the dying Emperor Marcus Aurelius (Richard Harris) begs him to take over his position so the Roman Empire may carry forth with prosperity. If Maximus does not take over, the empire is at risk of being inherited by Marcus’ spoiled son Commodus (Joaquin Phoenix). While Maximus ponders the request, Marcus dies and Commodus quickly takes over, and orders the immediate deaths of the celebrated General and his family. Maximus and Commodus will eventually circle back with one another, however.
Gladiator feels like an epic film in the vein of a David Lean picture that would require time and work to follow through its various developments. Maximus certainly goes through a widespread arc. One of the advertising bylines described it as the man who was General, who became a slave, who became a gladiator. Russell Crowe is right for this role. Not only is he lean and built for the part, but he brings a empathetic approach to the character. Maximus is loyal to his country, but he also carries pain and longing for his family and when he is wronged, Crowe does very well at displaying his character’s plot of vengeance against Commodus with strategy and skill.
Joaquin Phoenix rightly earned his first Oscar nomination as a wonderful villain. The screenplay from David Franzoni, John Logan and William Nicholson offer memorable pieces of dialogue for the bratty son. “I feel vexed. I am very vexed.” – a line that sounds so minimal and yet when Phoenix delivers it, it’s only more terrifying. This little monster captured in an adult body can respond to anything that slightly irks him.
The battle between Commodus and Maximus is hardly physical. Maximus realizes through his companions that a better and wiser form of revenge is to win Rome’s admiration away from its ruler. Commodus lives off his ego. So, when Maximus is encouraged by his slave owner to “win the crowd” amid the games performed in the famed coliseum, it not only lends to the gladiator’s ongoing survival, but it tears away at Commodus’ rule. A great subplot is included focusing on the ruler’s nephew, Lucius (Spencer Treat Clark). The expression on Joaquin Phoenix’ face when young Lucius role plays as the great Maximus works like a frozen moment in time. Imagine a famed quarterback’s child cheering for the defensemen who performs an unforgivable sack during the final ten seconds of a game. It’s terribly bruising.
When Gladiator was first released in theaters, I found the CGI to lack texture and it appeared very dark like a bad 3D film. It looked too animated. This most recent viewing was on a restored 4K transfer and the picture quality is astounding. Every element of the broad landscapes within the battlefields and especially in the gold sheen photography of the coliseum battles blend perfectly. If you still don’t understand the importance of 4K, turn to this film to uphold the argument.
Ridley Scott does not waste a shot in this picture. Reactionary sequences are just as effective as the cuts to the action. Blades and barbaric weapons shed gorgeous splashes of blood. Every thrust and parry are easy to see. I’ve never forgotten when a chariot rider is cut in half at the torso from an oncoming blade attached to rolling wheel. The choreography and editing of the battles are thrilling with sound editing that compliments the moments.
Beyond Russell Crowe and Joaquin Phoenix, the cast is wonderful. I’ve always admired Richard Harris’ quiet approach in the twilight years of his career. He never had to do much to offer a presence. Connie Nielsen portrays Lucilla, Commodus’ sister who he has affections for. Her subtle resistance allows Joaquin Phoenix more opportunities to feel “vexed.” Oliver Reed passed away during the making of this film. Fortunately, Ridley Scott and company did not opt to cut out his role as the gladiator/slave trader, Proximo. He works well as a kind of mentor to Maximus and the band of other warriors, coaching them on how to stay alive and rise above Commodus’ monarchy. “Win the crowd and you win your freedom.” Djimon Hounsou is a loyal sidekick to Crowe’s character. Derek Jacobi is once again that guy you have seen before allowing his expert craft in Shakespearean performance to flesh out the political angle of the story among the Senators. Every actor serves a valuable purpose in the film. None of these performances feel like walk on roles. So, the overall casting of the picture must be commended.
Gladiator is a crowd-pleasing film. Though it is based in ancient history, there remains a fantasy element to the movie when you look at grand designs of the settings, costumes, and dialogue. Storylines of politics and tyranny hold relatable to modern current events. What can occur when one man takes over everything for his selfish purposes? Pointless displays of theatrics can occur at the behest of others who were once heroes, instrumental in placing a despot atop a throne. I presume Ridley Scott’s film is just one more example of the inherent nature found in humans. Some of us are destined to rule and control. That alone is cruel and selfish. It is even worse when this totalitarian mindset is unleased upon those that put these rulers in their place. History and especially modern times demonstrate that loyalty is only fleeting. The ability to possess totalitarian control, however, is hopefully even more short-lived.
2 UNPAID MOVIE CRITICS!!!! 