WAKE UP DEAD MAN

By Marc S. Sanders

Benoit Blanc is back with a new mystery to solve in Wake Up Dead Man.  With three films, all directed by Rian Johnson (Knives Out, Glass Onion), Daniel Craig’s eccentric detective now belongs in the ranks of Sherlock Holmes and Hercule Poirot.  He’s a pleasure to watch with a smirk on your face.  Ironically, he doesn’t make his entrance until at least a third of the picture is complete.

Josh O’Connor is Father Jud Duplenticy who first reveals a wide berth of exposition ahead of the murder mystery that awaits us.  He’s a catholic priest who works hard to contain his temper that might resort to raising his fists.  He’s been assigned as the assistant minister to a church in a small New England town where everyone knows one another, especially repulsive Monsignor Jefferson Wicks (Josh Brolin).

Whodunit mysteries should never be spoiled.  I certainly wouldn’t imply how this film wraps up.  I also do not want to reveal who the victim(s) is/are.  I urge you to see Wake Up The Dead Man because this puzzler of a story is as gleeful as the title itself.

Like the Agatha Christie film adaptations from the 1970s, Rian Johnson does his best to provide a lineup of suspects with celebrity familiarity including Brolin, O’Connor, Mila Kunis, Kerry Washington, Thomas Hayden Church, Cailee Spaeny, Jeremy Renner and a standout performance from Glenn Close who steals much of the film away from the rest of the cast.  After seven nominations spanning over forty years, give her the Oscar already.  She’s eerie and needling, spooky and fun.  As Detective Blanc continues his investigation, a character tells him this all seems like something straight out of Scooby Doo.  Glenn Close, donned in black with an elderly bleached facade certainly feels like she’d come in contact with the animated pup and those meddling kids.

Rian Johnson writes with that classic narrative that Agatha Christie or Arthur Conan Doyle adopted, only it’s modernized.  The director of The Last Jedi even throws in a Star Wars reference and the joke soars.  The writer/director crafted this script as an invitation for hair raising merriment with his design.  If you can’t be a part of a mystery dinner theater party, he ensures that you can participate in this one.

An old church, priests who curse, habitually pleasure themselves and confess to an abundance of sins, a gothic tomb, a dark basement with a repulsive bathtub, a bar with a photograph of clues, startling entrances, unconventional dialogue and a quizzical murder weapon function like page turning literature.  Even better is to understand how impossible the first murder can be under the limitations of a locked door mystery.  How can someone be killed right in front of our eyes when no one else is in room?  The answers await and thankfully the revelations are not far-fetched.

Wake Up Dead Man is a fun time at the movies.  It’s coming to Netflix on December 12, 2025.  Nevertheless, I encourage you to go your local cinema.  The crowd we saw it with was responding consistently with us, and that only enhances the experience.

THE BOOK OF ELI

By Marc S. Sanders

Do you believe in the word of God?

The Book Of Eli directed by The Hughes Brothers will make sure you do.

Faith carries Denzel Washington’s loner character on a journey through a grim, sunburned post apocalyptic wasteland as he protects a rare, sacred text. He has been on a sojourn to reach a final destination out west.

Me, being the religious skeptic these days, might normally find the convenient episodes of survival that Washington encounters as far fetched. However, The Hughes Brothers direct a script penned by Gary Whitta that never mocks the purpose of the film presented. As a viewer it would be rude of me to laugh at how Washington continues to walk when it seems he’s getting shot in the back. I wouldn’t dare misbehave in that manner. Watching The Book Of Eli…well…I feel like I’ve gone to church.

The Loner carries a book he faithfully reads every day as continues his long walk through treacherous, barren and motorcycle pirated lands. If the sun doesn’t blind him and kill him, the various marauders might.

The worst adversary of this bunch is Gary Oldman in yet another treasured villain role. Oldman keeps a tight authority on an “old west” inspired town, commanding from his comfortable leather chair in the upstairs level of the town’s bar (saloon, perhaps?). He’s been tirelessly dispatching men to find a particular book and perhaps it’s the one that The Loner possesses.

Post-apocalyptic wasteland, a book, a Loner, a villain. That’s the structure of this film along with some side characters like an impactful Mila Kunis and Jennifer Beals. Very simple ingredients allow for well edited moments where Washington can display his unexpected fighting techniques with a gun or a shotgun or a forearm length sword. When he exercises these moments the scenes are outstanding. Oldman is the guy who sits back letting his own horde do the dirty work and only acts when he sees that he has an upper hand. He’s oily, scary and in this dense waste of a future he likely dreams of being a prophet or a high powered evangelical might.

I was so pleasantly surprised by this film. Post apocalyptic films wear on me these days. How much is there to show that I haven’t already seen like abandoned cars, skulls, and deserted highways?

This is different however because Whitta’s script offers a reason to live through this hellish void. I had to wait for it but the ending is a very satisfying conclusion. I loved it, actually.

The Book Of Eli is a great film.