OCTOPUSSY

By Marc S. Sanders

By the time Octopussy was released in 1983, I think part of the joke was that Roger Moore, on the latter half of middle age, can survive and triumph over insurmountable odds. The crow’s feet show around the eyes. The hair color looks faded. He doesn’t necessarily look physically fit anymore. Yet, 007 can still outrun a pack of hunters riding elephants and shooting at him with sniper rifles. If you just accept this standard and laugh at the absurdity, you’ll likely have enjoyed Octopussy.

Director John Glen’s movie is a mixed bag of really good action material and a regrettably choppy storyline involving jewel thievery and a Russian nuclear bomb. Only it’s not made clear how these two connect until very late in the picture. By that point I didn’t care much.

There’s some amazing footage in Octopussy. Particularly, a spectacular scene where Bond manages to get on top of an airplane and stay there. With the exception of close ups for Roger Moore, this is all stunt work and my jaw drops no matter how many times I see it. Bond is trying to prevent villain Kamal Khan (Louis Jordan) from escaping with his henchman. Khan tries to shake Bond off the plane by doing aerial maneuvers including flying upside down. Glen’s camera captures his stuntman doing it all at 30,000 feet. Then the henchman goes outside of the plane! It’s a sequence that must be seen. Another all time great stunt in the series.

Oh yeah, the story! Bond travels to New Delhi, India to uncover why Khan has spent an enormous fortune on a Russian Faberge Egg at a Sotheby’s auction. Following a backgammon match where 007 outwits his opponent’s cheating with loaded dice, Bond finds himself outrunning bad guys in a street market complete with sword swallowing, a bed of nails and running on hot coals. I was waiting for him to break into song like Disney’s Aladdin. (Ironically, Tim Rice wrote the lyrics to the film’s song “All Time High,” performed by Rita Coolidge.)

Eventually, he catches up with Maud Adams, making her second appearance in the series; this time as the title character. She’s a jewel smuggler working with Khan, only she’s got scruples that Khan does not possess. Consider the fact that once she realizes Khan is working with a renegade Russian general (Stephen Berkoff) to detonate a nuclear bomb during a circus located on an American military base in East Berlin, Octopussy has an epiphany that she has been double crossed. This really does not seem so surprising to anyone except Octopussy.

Bond has to endure a lot in this film. Besides contending with Khan’s turban wearing henchman, he also has to fight against deadly identical twins who are experts at knife throwing. Worse yet is when he has to don a clown outfit complete with rubber nose, floppy shoes and makeup.

The action of Bond making efforts to get to the doomed circus is great as he has to leap on to a train and follow after the locomotive with a Mercedes Benz on railroad tracks. Good automobile stunt work further in this extended scene also works well.

What leaves me feeling ho hum, though, is Octopussy and her lady soldiers in red jumpsuits, all skillful in fighting techniques and weaponry ready to take on Khan’s bandoliers. Looks like an old Batman tv episode really. It’s a little eye rolling to say the least.

Octopussy is watchable but it’s nothing special. This film and Roger Moore’s next and final adventure as 007 are certainly two of the weakest in the series. I must persist though.

THE MAN WITH THE GOLDEN GUN

By Marc S. Sanders

Bond. James Bond going Mano y Mano against Francisco Scaramanga, also known as The Man With The Golden Gun.

Regarded as one of the least successful films in the franchise, Roger Moore’s second outing as 007, with Guy Hamilton directing his fourth installment, is really fun and devious.

Scaramanga (Christopher Lee) is former KGB who lives on his own island where he takes pleasure in carrying out gun duels with anyone up to the challenge. Professionally though, he works independently charging a million dollars to anyone requesting an assassination by means of his golden gun with accompanying golden bullets. Though it seems now the expert marksman is reaching out to Bond as a worthy competitor.

Bond doesn’t even know what Scaramanga looks like. So, he jets off to Beirut, then Thailand, Taiwan and eventually the villain’s own private island located in the seas off the coast of China. Also, there is Scaramanga’s latest toy, consisting of unlimited solar energy, a device he could sell to world powers globally for the highest bid while also bankrupting the oil industry.

Bond has encounters with a quirky henchman again. This time it’s a deadly midget named Nick Nack (Herve Villacaize, Fantasy Island). He’s a lot of fun as he teases both Bond and his boss, Scaramanga, in a fun house obstacle course as they carry out their best efforts to survive.

Two Bond girls (Maud Adams and Britt Eckland) allow Moore to balance the ladies in a hiding game within his hotel room while trying to keep them from running into each other. It’s light farce.

The Man With The Golden Gun also features one of the greatest automobile stunts ever captured on film, an alleyoop flip over a ravine with a broken bridge. Needs to be seen to be believed.

What keeps this film from highest of regard though is the return of Clifton James as Louisiana Sheriff J.W. Pepper for some cheap laughs that didn’t work when we saw him the first time in Live And Let Die. He’s a pest who’s contrived to show up in Taiwan of all places and coincidentally run into Bond again. Really? Seriously? There’s no reason for this annoyance to be here.

Still there’s lots of good moments including Bond vs two sumo wrestlers as well as fighting his way out of a deadly dojo with the assistance of some karate skilled school girls. Then there’s Scaramanga’s flying car which is extra cool.

007 embarks on an adventure that still holds up. Christopher Lee is loving his villainy and Roger Moore continues with the part well. He’s a sharp guy.

The Man With The Golden Gun is a film worth revisiting.