Category: Lou Diamond Phillips

YOUNG GUNS

By Marc S. Sanders

In the late 1980s a novel idea hit the screens.  An MTV interpretation of the Old West with a rock anthem soundtrack of electric guitars and drums. A far separation from Ennio Morricone’s unbeatable spaghetti western approach.  

The film was Young Guns, featuring handsome stars like Emilio Estevez, Kiefer Sutherland, and Lou Diamond Phillips.  They were each different kind of gunslingers in their own right while delivering stand out personalities.  The film has some problems in editing, and some sequences do not work.  Yet, it remains stylish with impressive set designs, props, costume wear, and an especially appealing array of performances from the whole cast.  

Billy The Kid aka William H Bonney is one of the most notorious outlaws in American history.  Emilio Estevez brilliantly turns the gunslinger into a quick draw joker with an addictive cackle and an adorable smile.  William is taken in by the mentoring John Tunstall (Terence Stamp) who already oversees a collection of orphaned young men.  He’s teaching them to bear responsibility on his farm while they learn proper manners at the dinner table and how to read.

A neighboring industrial enemy, L.G. Murphy (Jack Palance) commissions his men to gun down Tunstall.  Billy and the rest of the gang are then deputized by the local Sheriff to issue warrants for the arrest of the killers.  However, Billy repeatedly exercises his own form of justice by killing one guy after another with his pair of six shooters.  Soon after, the boys are on the run by horseback while creating a whole bunch of mayhem.

I never considered Young Guns to be a perfect film, but I like it a whole heck of a lot.

There are moments that serve no purpose, like when the men get high on peyote, introduced by the Navajo, Chavez Y Chavez (Lou Diamond Phillips).  It’s not amusing.  It’s not quotable and the scene runs too long as we watch the cast walk and talk while in daze.  Frankly, most movie scenes of just watching people get high are boring.  Often, they go nowhere and I’m not sure how to respond. It’s like I’m the designated driver fiddling with my car keys at a drunken binge fest. This is no different.

As well, there seem to be gaps within the body of the story. I know it is inspired by the Lincoln County War, but it’s never entirely clear why Tunstall and Murphy are at odds with each other.  We just have to accept that the two elderly men of equal proportions are against one another.  Still, Palance versus Stamp is a very inviting conflict to look at. (Supposedly, the real John Tunstall was only in his mid-20s.)

Young Guns has a very cool polish.  These cowboys are downright attractive, sexy like Hollywood movies tend to offer, and I love how they handle each other, their horses and their pistols.  Every time a six shooter whips out of a holster and clicks, the movie becomes more alive.  The guys look well-worn within this environment, close to the Mexican border of the 1870s.  The image is just as effective as Clint Eastwood appears in his various assortment of westerns.  

Billy The Kid, over this film and its sequel, is Emilio Estevez’ best role of his career.  The actor has such a cocky, nervy way about him and his over-the-top laugh is impossible to forget.  A favorite scene in all of movies emerges when Billy toys with a bounty hunter in a saloon.  Estevez delivers much fun before gunning the guy down. I never tire of watching that moment.

Kiefer Sutherland is second in line with a graceful sensitivity as the educated and poetically romantic Doc Scurlock.  You worry about him and his courting affair with a young Chinese concubine that is owned by Murphy.  Lou Diamond Phillips specializes in knife throwing as Chavez, the token Navajo.  His presence belongs here as an unpredictable sidekick.  

The best surprise is delivered by Casey Siemaszko as the virginal, boyish illiterate Charlie.  Some gunslingers were afraid to ever become outlaws.  Charlie is ugly and dirty, bumbling and sweet, reminiscent of Fredo in The Godfather films.  Siemaszko never became as established as the others in the cast, but he’s a good performer who delivers panicked fear and brings the glamour of Young Guns down to a semblance of reality.  

Young Guns is a style over substance product.  It has potential for a stronger storyline, but the dialogue works and the cast is stellar, which also includes Dermot Mulroney, Terry O’Quinn and Charlie Sheen.  The sequel is actually better as it commits closer to the intrigue of Billy The Kid.  

Not perfect, but this is a fun escapist western experience.

STAND AND DELIVER

By Marc S. Sanders

One of the most inspiring classroom setting films is Stand And Deliver directed by Ramon Menéndez and written by him with producer Tom Musca. This pair took great pains to protect the integrity of their script.

The film tells the story of math teacher Jaime Escalante’s (Edward James Olmos) uncompromising drive to bring 18 students at Garfield High School to passing the state’s AP Calculus exam. These students come from working class Hispanic families who hardly offer their own children any bright future beyond fixing cars, waitressing in the family restaurant or remaining as a gang member in a life of crime. Their parents laugh and shake their heads at their dreams of becoming doctors or engineers. Their parents never had a teacher like Jaime Escalante.

Escalante motivates them to find a ticket out, and become the first members of their families to graduate high school and go to college. The first two acts of the film focus on Escalante’s drive and brief encounters with some members of his classroom. He shows how he’s not intimidated by gang member Angel (Lou Diamond Phillips) and how he convinces a restauranteur to allow his daughter to return to class. Another student is overcome with stress. Escalante listens but doesn’t allow the student to give up. I like these scenes a lot and my descriptions do not give these moments enough credit.

The film does not rely on classroom speechifying or inspiring rock music to cut in with sequences of kids reading books. Instead, it drives home the fact that Jaime Escalante never loses sight of the nowhere potential these students live with. The students learn to respect the one man who never underestimates them, regarding him as “Kemosabe.” He never allows them to lose their “ganas;” a desire for something better.

Even after they pass the exam, the students’ own environment will not allow them to celebrate their success. It’s too hard to accept the result. It’s easier to accuse them of cheating as it’s presumed that this sect of Hispanic/Mexican people could never have accomplished what their scores indicate. No other explanation could merit what’s occurred. Escalante is angered by this racism, but his confidence in his students pushes them to retake the exam. Blatant racism will not prevent a future without poverty.

The students consist of mostly unknown actors. Following this film from 1988, I’d catch one of them guest starring on a TV show here or there. Collectively speaking though, they really come through by convincingly displaying their lower class lives. It’s easy to see a lack of potential for these kids early on in the film. It’s also comfortably easy to see how Escalante takes command of their lives with a sense of unity and motivation. No one ever told these kids they could solve some of the hardest mathematical equations ever conceived. No one ever told these kids they could amount to something. It took someone from their own environment to help them defy a stereotype and demonstrate that intelligence is a gift that any human being is blessed with. They just have to have the “ganas.”

Edward James Olmos was nominated for a Best Actor Oscar. I’d say it was one of the most under the radar performances to ever be considered frankly. Stand And Deliver was made on a small budget. It’s easy to see that. Still, that is also what is so special about the film. This film stood on its performances and the genuine inspiring story it’s based on. It had all the ingredients it needed to be a winning film. This film eventually reached the exclusive annals of the prestigious National Film Registry of the Library of Congress. Stand And Deliver will tell you to never surrender.