By Marc S. Sanders
“Three can keep a secret if two are dead.” – Benjamin Franklin, pictured on the one-hundred-dollar bill
A murder of crows is made especially prominent at the beginning of this dark, wintry fable from director Sam Raimi and writer Scott B Smith, based off of his novel, A Simple Plan.
On the afternoon of New Year’s Eve Day, Hank, his brother Jacob and Leon get swerved off a slippery Minnesota road while riding in a beat-up pickup truck. They come upon a crashed airplane buried under a blanket of snow in the woods. Besides the pecking crows feasting on the corpse of a dead pilot, they uncover a duffle bag with over four million dollars; tons of bales of strapped hundred-dollar bills. What should they do? Report the discovery to the police or secretly keep it to divide among themselves?
Hank (Bill Paxton) is the educated sensible member of the trio. Jacob (Billy Bob Thornton) is his dim-witted brother. Leon (Brent Briscoe) is Jacob’s loudmouth drinking buddy. After much debate, the men agree that Hank will hold on to the money until springtime. By then, if no one is looking for the loot, then it surely can be shared among them.
Easier said than done.
This is one of Bill Paxton’s best roles, not only because he’s a fine actor, but his character is constructed beautifully with one internal conflict after another. He carries an appearance of a doting husband to his pregnant wife Sarah (Bridget Fonda, who I wish never retired from acting) and he’s well-liked by the folks of this town. He’s also a protective brother to Jacob. However, money changes people and hypocrisy and plotting turn this good man corrupt.
Billy Bob Thornton is brilliant in an Oscar nominated role. It’s not easy to portray the sweet dumb guy when your career has demonstrated how insightful you are as a winning screenwriter and actor (Sling Blade). Jacob looks “lived in” within this sleepy town with a pair of broken eyeglasses, an old parka and boots. He’s the troublemaker and the sheriff knows this schlub can’t take care of himself. As Hank changes one way over the course of the film, Jacob literally transitions in a completely opposite direction of character. Both approach their tests of ethics and morality differently, and it’s fair to say that a gift of simple logic and sensibility can be more of a curse rather than a blessing.
Bridget Fonda operates like a conniving Lady MacBeth as Hank’s wife Sarah. She’s adorable and sweet as the happy couple await the delivery of their first child any day now. What good fortune to come upon this money to help with living a lifetime of comfort and joy. Sarah knows this is all going to work out, but what’s important is that Hank covers his tracks while also being especially cautious of Leon and Jacob’s reputation for carelessness. Sarah has an answer for everything and a proactive approach to handle this surprise windfall.
Yet, the luck of one man is the demise of another, and another and maybe even another.
A Simple Plan is anything but. Too many people know what is discovered. Even the inconvenience of snow-covered plains work against any kind of airtight solution. Snow leaves tracks. What if someone lets a simple, but curious, word slip? What if someone wants his share sooner than agreed upon? What if someone is in the wrong place at the wrong time?
Scott B Smith changes the tune of his script over and over. First, it questions the morality of man. Later, it traverses into crime and cover up. After that, A Simple Plan hinges upon survival while questioning a series of costs.
Because most of the characters in this small Minnesota town are blue collar and not formally educated, you might believe they lack the intuition to properly guard themselves or the ones they hold dear. On the surface, this is a friendly community, and everyone bears a facade of innocence with Happy New Year greetings. Actually, desperation only enhances the thinking abilities of these people to do the most twisted of acts to protect what they consider their rightful, personal entitlement.
Each act of extreme behavior seems justified in the eyes of Hank, Jacob, Sarah and Leon. I mean this is four million dollars we are talking about here. Try to see it their way, and you’ll know what I mean.

I thought this was a terrific movie. I miss my fellow Texan, Bill Paxton. He enhanced every role he played. And Raimi was the perfect director for this.
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This dark noir thriller will stand the test of time simply because we are always tempted by what is not right. Had Bill Paxton’s life gone on longer, he would have continued to some terrific work and likely would have eventually earned that Oscar nomination for acting or directing.
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I have no doubt he would.
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